Lori Nix is a "faux" landscape photographer. In other words, she builds her subject matter, rather than seeking it out. Her dioramas are precise snapshots in a longer story—surreal narratives with epic consequences. Varnished with a dash of humor and a touch of doom, her fantasticl landscapes arouse a perfect balance of curiosity and trepidation. Her built landscapes include remote pastures, suburban corners, and urban towers, and, quite often, her work depicts the quiet confrontations between these worlds.
On a leafy street in New York City’s Greenwich Village stands a brownstone that was once the home of James Beard and now is the headquarters of his namesake foundation. Beard, a chef and author, was a key figure in 20th-century American cooking, helping to transform dining culture with his cookbooks, articles, and the first television show about food, 1946’s I Love to Eat.
A slide show of the interiors of Saveur Editor-in-Chief and Top Chef Masters judge James Oseland's New York City apartment.
When I moved to New York City from Southern California nearly 20 years ago, I missed the easy access to nature I’d always enjoyed there. Over time, though, I became attuned to the ways the natural world reveals itself even in the heart of the city—in its rambling parks, its abundant farmers markets, its window boxes erupting with blooms. Still, by the middle of last year, my fourth-floor apartment in Williamsburg, Brooklyn, and my daily commute on the subway had begun to feel stifling. It was time for a change.