Joshua C. F. Smith is in the rarefied field of golf landscape artists. As part of National Golf Month in August, we caught up with him for a behind-the-scenes look at how he captures the natural beauty of a golf course landscape in his paintings.
Photographer Klaus Enrique has revived a Renaissance classic: the surreal botanical portraits of 16th-century Milanese painter Guiseppe Arcimboldo—now, rendered through the lens, not the brush. A modern perspective gives the work new meaning: rather than "From what far off land did that gourd arrive?" we ask "Is that a hybrid or an heirloom?" Instead of "The painter is nuts," we think "The photographer must eat very healthy."
"Ellsworth Kelly Plant Drawings" is on view at New York's Metropolitan Museum of Art. The show spans sixty years of work, including his early sketches in 1940s Paris, his recent work in upstate New York, and everywhere in between. “Each drawing that I’ve done, I have found. Meaning, I see a plant I want to draw."
Before there was Instagram, there was the Claude glass—a small, tinted, convex mirror that was popular in the 18th century. Toted in artists' cases and tourists' pockets, the portable mirror offered a transformed view of the scenery that became popular with wealthy British vacationers—a world viewed through a Claude glass was a journey through ephemeral snapshots of softly-rendered nostalgia.
Tending Toward the Untamed: Artists Respond to the Wild Garden is a collection of work that interprets the relationship between nature and the gardener as it grows at Wave Hill, a garden overlooking the Hudson River, in Bronx, New York. Our Q&A with Jennifer McGregor, Director of Arts and Senior Curator at Wave Hill.