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Severin Roesen is recognized as one of America's preeminent still-life painters and several of his meticulously detailed paintings are included in the Metropolitan Museum of Art's new American Wing. 
At age 72, 18th-century British artist Mary Delany began her floral collages. In an age of decoupage and floral paintings, her intricate paper art was a nod to both, and a new style of botanic art. 
A dramatic accent to modern-day gardens, Acanthus plants were also the inspiration for Corinthian columns, the art of William Morris, and mid-century motifs. 
In the last several years, artists have reclaimed moss as a medium, creating site-specific installations to reclaim public spaces, and creating a new sort of growing, living graffiti.
Albrecht Dürer's paintings are accurate depictions of native plants and weeds, and a rare example of art showing plants in their natural environment in the 16th century.
Related Topics: Ideas | Green | Yellow | art + botany | illustration | Weeds
It takes a village to grow a picture in a rice field: Since 1993, a small Japanese village has been creating rice paddy art, in an effort to increase tourism.  It's a hybrid of traditional illustration and crop circles, with canvases that are as large as football fields.  
Biologist and artist Ernst Haeckel introduced the term "ecology," and pursued his study of the natural world with a scientist's rigor and an artist's philosophy. He traveled around the world to find botanic specimens and illustrated them as perfect forms and unifying patterns. 
Victorian horticulturalists were quite interested in scrapbooking and gardening and their two interests were combined in the ephemera of seed company trading cards, some of which can still be found (and collected) today. With funny illustrations and silly advertising mottoes, these seed company trading cards are a peek into the gardens of the past.
In the late 1500s, the illustrator Johann Theodor de Bry produced a rare series of six still-life floral prints, titled Polyptoton de Flores (The Variance of Flowers). The captions are scripted in Latin hexameter, and derive their lessons from various phases of a plant's life cycle.
Published in 1847, Les Fleurs Animées imagines a world where the flowers reclaim the meanings bestowed upon them by a covetous Victorian audience, and become actresses in their own drama. In J.J. Grandville's engraved illustrations, an exotic Lady Tulip bewitches, while fair young Forget-Me-Not mourns her loneliness.
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