Turkish architect Emre Ozberk designs miniature landscapes that are meant to be pruned, weeded, and mowed. Call it armchair gardening. The earliest landscapes were rooted in his the perfectly sized food bowls of his cat, Papas, for whom the collection is named.
Pep Ventosa's tree portraits are composed of multiple photographs, shot as he circles the subject. In this slide show, Ventosa tells us a bit more about his series "In the Round - Trees," his painting-like images of trees around the world.
British artists Heather Ackroyd and Dan Harvey use grass to make pictures—"living" photographs. Wielding the traditional tools of the artist and the gardener to harness a plant's natural photosynthesis, the artists' process is a nice synthesis of art and science.
Contemporary Swiss artists Gerda Steiner and Jorg Lenzlinger hung flowers, seeds, and branches in a 17th-century church in Venice as part of the 50th Venice Biennale. They called it Falling Garden, a world in which visitors lie in repose on the mausoleum floor, while "the garden thinks for them."
Tending Toward the Untamed: Artists Respond to the Wild Garden is a collection of work that interprets the relationship between nature and the gardener as it grows at Wave Hill, a garden overlooking the Hudson River, in Bronx, New York. Our Q&A with Jennifer McGregor, Director of Arts and Senior Curator at Wave Hill.
Written by French botanists who explored North American forests in the late 1700s, The North American Sylva is a monumental work with masterful illustrations and extensive botanic profiles. The book would help France reforest its post-war countryside, and become a landmark in North American forestry. Today, it remains readable and interesting—certainly a work of evergreen value.