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We chat with design legend Terence Conran about how he uses smart design to make his guests feel at home in the garden.
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The 9/11 Memorial opens this Sunday to the public, on the tenth anniversary of the attacks. We take a look at the landscape architecture, designed by Peter Walker, in conjunction with the project's architect, Michael Arad.
Renaissance artist Guiseppe Arcimboldo painted a surreal version of a still-life, by creating portraits that portrayed the face of the cognoscenti—through its table, gardens, and natural world. 
Landscaped entirely out of cypress and eucalyptus, the enormous guitar is one Argentine farmer's love letter to his late wife, a young woman who loved the guitar.
Written by French botanists who explored North American forests in the late 1700s, The North American Sylva is a monumental work with masterful illustrations and extensive botanic profiles. The book would help France reforest its post-war countryside, and become a landmark in North American forestry. Today, it remains readable and interesting—certainly a work of evergreen value. 
Are artist Cal Lane's garden tools art or implements? Her "Wheelbarrows and Shovels" series is on display through June 16, 2012, at the Art Mûr gallery in Montreal.
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German artist Cornelia Konrads uses organic objects such as stones, sticks, and logs to build installations that are both natural and surreal. In her work, movement is a promise withheld.
A new garden—his own—marks the next step in Piet Oudolf's constantly evolving creative journey. 
It is an electric moment to be shaken from musing over the usual offerings at a local garden center by a plant I’ve never heard of before. It’s like hiking in familiar woods and having the compass needle go haywire. In this case, the plant tag combined the words “succulent,” “African” and “hosta” — I had to have it.
The owners of this Portland, Oregon, garden want to connect people with the Earth
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