2009 Green Awards
Taking a position has its rewards. These three gardens win by working with the land.

Photo courtesy of Reed Hilderbrand

With children in mind, the pool is clever-ly bisected by a wooden boardwalk, leaving one side a kid-friendly shallow pool and the other an 8-foot-deep pool for adults. A path carved into the hillside wends its way throughout the property, winding up here at the outdoor kitchen and dining terrace. The roof and inset vertical fireplace are made of COR-TEN, a durable steel alloy with a warm, rusty patina.

REED HILDERBRAND

1,500 gallons of compost tea, one hundred cubic yards of green waste. Fifty-six acres of sustainable earth-friendly gardens, meadows, prairies and knolls. And all this just an hour outside Manhattan.  

Fed by their desire for a low-impact landscape that provides a daily bounty of fresh flowers, fruits and vegetables as well as seductive wide-open spaces for roaming and wandering, the owners of this Westchester County, New York, property took on the daunting challenge of gardening organically on a grand scale. "The homeowners have an avid interest in horticulture and are on the board of the New York Botanical Garden," says Doug Reed of Reed Hilderbrand of Watertown, Massachusetts, the firm that created the original and current landscapes on the property. "They are also serious foodies with a love of outdoor entertaining."

Easy on the eyes and easy on the earth, the resulting gardens are spectacular. Just steps from the house, a 60-foot-by-80-foot vegetable garden is studded with rows of tall, clean-lined towers for beans and tomatoes. Nearby, long, deep perennial borders provide cut flowers, a shrub garden offers up three seasons of interest, and a sleek channel of water in the perennial garden adds soft sounds. Here, modern luxury pairs successfully with country-house simplicity. Just a short walk and you're in the woods. Beyond that, the sweeping vistas of meadows and terraced fields beckon.   

The magic here, however, is a bit less Mother Nature and a lot more handyman. In order to efficiently and effectively garden such a large property using organic methods, a matrix of loop-closing on-site systems was created. Now, all green waste is composted and that compost turned into a liquid fertilizer (compost tea) that is automatically fed back to the plants. To better use water resources, the sprinkler systems were retrofitted to work with greater efficiency.

Nonnative intruders are routinely removed and desired species encouraged, particularly in the open grasslands where a regular early-spring mowing routine dampens the enthusiasm of more-aggressive plants.
At every step, the designer and the homeowners have stealthily incorporated technologies and techniques to reduce the impact on the environment. And, with none of the tiresome crunchy-granola hyperearnestness that can accompany a good-works garden. Love it? Says Reed: "Nothing done here can't be replicated on the smaller scale of an average American backyard." We couldn't agree more.


Photo by ANDREA JONES

Inexpensive chic sheets of industrial B-decking clad the roof of this sculptural pergola with its dramatic 6-foot cantilever. The wide-rib panels are angled to provide shade from the hot afternoon sun. 

STEVE MARTINO,CACTUS CITY DESIGN


Landscape architect Steve Martino, Principal of Cactus City Design in Phoenix, Arizona, knows how to put the "play" in "fair play." In this Paradise Valley garden — water-wise, filled to overflowing with indigenous plants, and a happy habitat for everything that crawls, flies or slithers in the desert — sustainability was never so much fun.

Amidst the eco-tech rainwater-harvesting systems, drip- irrigation and porous paving like decomposed granite, there are towering concrete panels painted in ode-to-desert-flower shades of pale lavender, yellow, burnt red and muted green. Adapted plants and natives flank a pergola roofed with industrial metal sheeting and a wall of woven aluminum flashing straight from the big box store. And a fire pit that shoots flames 4 feet into the air is ringed in rebar. This garden might "step lightly" and all that, but it also packs one big punch.

"My clients wanted a desert house, so I gave them a garden that celebrates rather than denies the desert," says Martino. "In an area where perfectly fine existing homes are torn down and replaced with large new homes, these owners chose to 'recycle' and remodel their existing house."

Beginning about 10 years ago, his first tasks were to rip out the improbable yet ubiquitous water-sucking lawn and remove a stand of invasive tamarisk trees that blocked the unrivaled views of famed Camelback Mountain in the distance — both installed despite the fact that the fragile Sonoran Desert actually supports a rich variety of unique plant life.

As the house was expanded during a span of four phases, the landscape was adapted to aid in the cooling of the interiors with strategically placed specimens adding much-needed shade. To further tie the 1960s contemporary house to the landscape, a row of desert trees was salvaged and located between the house and the street, transforming the building from being simply an object to a place.

Even though he chose rare plants like Bursera shrubs and a boojum tree for a special Baja-inspired garden requested by the owner, Martino uses the tried and true whenever possible. "I like to take common plants and glorify them," he says of the mesquites, palo verde trees, agaves and prickly-pear cactuses that fill the garden.  

Using inexpensive, readily available industrial materials like aluminum flashing, rebar and corrugated B-decking (galvanized steel panels used for industrial roofing), a pergola and fences go from useful to intriguing features. And tilting walls, setting elements at angles, aligning features and borrowing scenery from the local topography add compelling interest without requiring the use of precious resources.

The results of all this attention to detail is a landscape that has integrity and where no opportunity was missed to minimize the ecological footprint, but also a delightful place to play. "This project illustrates that design can be artful as well as healing and nurturing to the environment."


BLASEN LANDSCAPE ARCHITECTURE

 

So, you have spectacular natural scenery and views worthy of a plein-air painting, but innovative local regulations require that man-made structures built on hillsides can have only minimal impact on the views from public roads. What now?  

"We were faced with lots of constraints that we turned into opportunities," says Eric Blasen of Blasen Landscape Architecture in San Anselmo, California, of this 30-acre hilltop poster-child-for-sustainability property in Napa Valley's Calistoga, a wine-country town about one hour north of San Francisco.
Architects Eliot Lee and Eun Sun Chun always intended to embrace the landscape, so the issue of siting the house to code fit in well with their plans. In wanting the homeowners to be able to occupy and engage their surroundings, they constructed a series of single-use buildings rather than one large house and scattered them around the property. Made from rammed earth, there's a freestanding guest dwelling, living dwelling, master-bedroom dwelling and more, which when added up equal one traditional house. Days are spent drifting from one cozy space to the next, each with its own garden or green space.
Dreamy as that sounds, none of it really works unless a functioning landscape can be integrated into this natural world, one that solves how to connect these buildings in a way that's beautiful while mitigating the very real problems of wildfires and droughts. In this case, what you don't do is almost as important as what you do.

"For us, a big part of 'sustainable' means respecting the site as you find it and adapting your plans accordingly, rather than leveling the place to force a preconceived structure onto it," says Blasen. "Our goal in designing this landscape was to create the least amount of disturbance possible during construction, blending the existing grades around the architecture of the buildings and repairing the site by repopulating the disturbed areas with native and indigenous plants, many of which were grown from seeds collected from plants removed prior to construction."

As always, the devil is in the details, and here no opportunity for reducing the impact on the environment was missed. "Water is a big issue in this region, so we developed a drainage system for aquifer recharge which allows the groundwater to be replenished from natural runoff," says Blasen. "Hauling off stone that was unearthed in construction was wasteful and expensive, so instead we used it all. We carved it into steps, ground it into paving and mixed it into the material used in creating the rammed-earth walls. No stone was brought in and none was trucked out. When it came to plantings, fire regulations meant using native plants that were both fire- and drought-resistant. And we took special care to save some of the existing old, large manzanitas by separating into plant groups what had been continuous plantings covering the entire hillside and carefully clearing out dead and dry brush — all of which could lead to the fire-ladder effect."

Even in regions where design is not necessarily dictated by very specific conditions, Blasen has a great piece of advice: "Understand the topography, study the light, work existing trees into the planting plans. Make the gardens blend in by blurring the lines between the natural and built landscapes."

Click here to see a gallery of images from 2009 Green Award-winning projects.

 

 

 


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